2000: Chant du Peuple juif Assassiné, for clarinet, violin, piano and two readers, Yiddish Festival in Strasbourg.
2000: Quoi? Ce point., for chamber orchestra, Ensemble Intercontemporain, Paris.
1999: HaMilah, for Bass clarinet and Piano, Earplay Ensemble, Los Angeles and Berkeley.
1998: Astéroide 622 for large orchestra: Premiered in Berkeley with the Berkeley Symphony Orchestra directed by Kent Nagano.
1998: Balshemtov, International Clarinet Association.Columbus (Ohio).
1997: Un Anneau Couleur de Lune for mezzo-soprano and piano, Berkeley.
1997: PaRDèS, for harp, cello, percussion and electronics. Premiered at IRCAM, Paris, with the Ensemble Court-Circuit.
1996: Passages, for flute, clarinet, violin, cello, percussion and piano. Premiered in Boston (Alea III).
1995: Fantômes Chenus, String Quartet, Berkeley, with the Arditti Quartet. Open Rehearsal
1995: Balshemtov, for soprano, clarinet and piano (Yiddish poem by Zicha Landau), Grenoble.
1994: Coriandre et Safran for piano and cello. Premiered in Berkeley.
1993: Massala Kingdom, for bass singer, harp, marimba and percussion. Premiered in Berkeley.
1993: Three choir pieces: (Zen Koan, The Gift, Fire Walking), Berkeley, University Art Museum.
1992: Piano Suite in six movements after "La Commedia dell’ Arte". Premiered in Philadelphia, Curtis Institute (David Horne).
1991: Alcools for soprano, harp and flute. Text : Alcools by G. Apollinaire. Premiered in Philadelphia, Curtis Institute.
1990: Toile d’araignée trio for flute, cello and piano. Premiered in Philadelphia, Curtis Institute.